Hollywood bad boy and Brat Pack star unrecognisable 39 years after movie hit – can you guess who he is?
When a Hollywood actor appeared in a Los Angeles parking lot, he looked nothing like the bad boy he was in the movies.
The 64-year-old Breakfast Club actor had a successful film career with the “Brat Pack” ensemble, which included roles in Girls in the Basement, St. Elmo’s Club, and New Jack City.
In the mid-1980s, a group of young actors who frequently starred together in coming-of-age movies were referred to as the Brat Pack.
The actors who appeared on the 1985 cover of New York magazine that eternally altered their lives were Emilio Estevez, Rob Lowe, Demi Moore, Andrew McCarthy, Anthony Michael Hall, 56, Molly Ringwald, and Ally Sheedy.
With his 1986 film Top Gun, Tom Cruise broke away from The Brat Pack and rose to prominence as a solo star.
Judd Nelson, 64, who was born in Maine, looked completely different when he passed a number of parking spots in the city.
He crawled along a line of cars, keeping his head down so he wouldn’t be observed.
Judd wore jeans, a black gilet, and a cozy grey sweatshirt.
To finish his outfit, he put on black sneakers and a pair of round-rimmed spectacles.
Several members of the Brat Pack were once featured in popular movies including Pretty in Pink, St. Elmo’s Fire, The Outsiders, Sixteen Candles, and, of course, The Breakfast Club.
Judd portrayed John Bender in the classic film The Breakfast Club, released in 1985.
In the high school student-focused movie, he frequently wore checkered shirts and a floppy brunette haircut.
80s legend, now 56, has barely aged as actress looks the same after iconic roles in Breakfast Club and Sixteen Candles
However, he now frequently sports a close-cropped hairdo, a grey beard, and a moustache.
SPEAKING OUT
In the film, Molly Ringwald’s Claire Standish fell in love with Judd’s bad boy character, something she has since voiced disapproval of.
In a recent post, Molly received acclaim for pointing out “troubling” sexual harassment on the show.
However, in a recent interview with Wilmington’s StarNews, Judd claimed that the film was “a product of its time.”
He continued by saying that he doesn’t “see those problems that Molly sees.”
“You always hope that a project that you work on has the legs to last longer than that minute you worked on it,” he remarked in an interview with the Metro.
Additionally, The Breakfast Club was a horse with extraordinary speed. Simply remain on. Keep from falling off. Your riding crop should not be used. Avoid using your spurs. Hold on to that horse, and everything will work out.
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“It was intriguing to read emails from moviegoers who had watched the film and to hear the same thing from, example, Japanese folks.
“What?” I ask myself. How may the same thing happen at your school? There are numerous parallels to all children attempting to grow up.
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